| Selected artworks | |
| in development | Forest School: On Hunting and Capturing (multimedia lecture-performance) |
| in post-production | It Rains Differently (feature docu-fiction film) |
| in production | Liquid Mountain (film, objects) |
| 2021 | Elective Affinities #6 (with Jasper Rigole, artist publication, color, ink-jet print, A3, edition: 67) |
| 2021 | It Rains Differently (play co-written by Dušica Dražić, Tanja Šljivar, Mirjana Dragosavljević, published in Symptoms of the Future, ed. I. Borić, M. Dragosavljević, D. Dražić. Eindhoven: Onomatopee Z0033, 2021 |
| 2021 | Seaside (16mm film, loop, color, no sound) |
| 2020 | A study of an anthropomorphic plant (Video, 1920 x 1080, color, no sound, 21’ 48”) |
| 2020 | The Floating Island (Video, Full HD, Loop, no sound) |
| 2020 | Movement II (Site-specific installation in public space, 3 wooden objects, various dimensions, Leuven/BE) |
| 2019 | Scene Work Ahead (Collective work, authors are as follows: Milutin Dapčević, actor, Mirjana Dragosavljević, art historian and curator, Dušica Dražić, visual artist, Selena Orb, costume and stage designer, Vladimir Pejković, composer, Katarina Popović, graphic and process designer, Igor Vasiljev, stage designer, Tanja Šljivar, playwright / Installation, mixed media) |
| 2018 | Seaside (Installation, 99 A4 drawings, 327x189cm) |
| 2017 | Projektor (with Wim Janssen, Sculpture, A functional copy of ISKRA NP-21 cinema projector in bronze; Film, 16′ 30”, 35mm, color, academy ratio, no sound) |
| 2016 | 10 tons of dust (Installation, Soil samples from the Swedish History Museum; Video, 60’40”, full HD, color, no sound) |
| 2015 | Modulus (Sculpture, wood, 315 x 250 x 300 cm; Posters, offset print, 50x60cm each) |
| 2015 | Movement (Site-specific installation and performance in public space, wooden object, 90 x 90 x 240 cm, Antwerp/BE) |
| 2015 | Premonition (Video, 47′, Full HD, color, no sound) |
| 2013 | Constructed Landscape (Installation, mixed media) |
| 2013 | Landscapes (6 Sculptures, Gypsum, 30 cm x 30 cm x 13 cm, each) |
| 2013 | New City (Sculpture, maquette of a non-existing city, 1100 cm x 200 cm) |
| 2013 | Wien, Neumayergasse 19, 1st Floor, Flat No. 4 (Installation, 589 cm x 660 cm) |
| 2012 | Industrial Arboretum (Site-specific installation and performance, Hamburg/DE; Artist book, 200 mm x 145 mm) |
| 2012 | promenade architecturale — Imaginary Space of Art (Site-specific performance; Photograph, c-print, 70 cm x 60 cm) |
| 2011/2013 | Gap (Site-specific durational performance; Artist Book) |
| 2011 | The Amazing Technicolor Dreamcoat (with Deqa Abshir, Object, Handmade coat, silk-screened cotton fabric; 9 Photographs, C-print; Video documentation) |
| 2011 | Monument to the Future (Site-specific sculpture in public space, reinforced concrete, 40 cm x 40 cm x 260 cm, Nairobi/KN) |
| 2011 | Blueprint (Installation, Wall Drawing, variable dimensions) |
| 2010 | The Winter Garden (Site-specific installation) |
| 2010 | The Event Place (Photo-installation, variable dimensions) |
| 2009 | The Dead-end Street (Photo-installation, variable dimensions) |
| 2009 | ruch (Site-specific installation in public space, Wroclaw/PL) |
| 2008 | Prelom – breach, break, failure, fraction, infraction, rupture, split... (Site-specific installation, DKSG/Belgrade/RS) |
| 2007 | To Loosely Reside / Weeds – Useful Plants (Site-specific installation in public space, Worpswede/DE) |
| 2006 | One home in Rydygiera Street 45a (Site-specific installation, Wrclaw/PL) |
| 2006 | Surrealism of Simplicity (Site-specific durational performance, Weimar/BE) |
| 2006 | RESTLESSNESS; or display of a leukocyte (Site-specific durational performance, Leuven/BE) |
| Selected Solo Exhibitions | |
| 2021 | Learn to Move through Metamorphosis, curator I. Bekić, Pogon, Zagreb, HR |
| 2018 | Projektor, curator U. Popović, The Museum of Contemporary Art, Belgrade, RS |
| 2018 | Projektor, curator A. Trebušak, Tobačna 001, Ljubljana, SI |
| 2017 | Interpretation, curator I. Bekić, Gallery Prozori, Zagreb, HR |
| 2016 | Premonition, DOB, Belgrade, RS |
| 2015 | Movement, BRDG, Antwerpen, BE |
| 2013 | New City, curator M. Pekić, G12HUB, Belgrade, RS |
| 2013 | New City, curator A. Gregorič, Tobačna 001, Ljubljana, SI |
| 2013 | The Amazing Technicolor Dreamcoat, curator Z. Audiello, Beo_Project, Belgrade, RS |
| 2012 | Vexations, curators M. Gruden and B. Popović, DKSG, Belgrade, RS |
| 2011 | GAP (within Urban Festival), curatorial team BLOK, , Zagreb, HR |
| 2011 | Blueprint, curator A. E. Bjelica Mladenović, Cultural Centre of Belgrade, RS |
| 2011 | The Event Place, curator M. Karić DOB, Belgrade, Serbia |
| 2010 | Looks Like We’ve Been Here Before, curator A. E. Bjelica Mladenović, Studio Tommaseo, Trieste, IT |
| 2009 | Spaces, curator M. Gruden, CCS, Sopot, RS |
| 2008 | Prelom – breach, break, failure, fraction, infraction, rupture, split... , curator M. Gruden, DKSG, Belgrade, RS |
| 2007 | To Loosely Reside / Weeds – Useful Plants, curators K. Hohmann and K. Stakemeir, Worpswede, DE |
| 2006 | Surrealism of Simplicity, Weimar, DE |
| 2002 | Unspoken, Circus Gallery, Belgrade, RS |
| 2000 | Shelter, Đura Jakšić Gallery, Belgrade, RS |
| Selected Group Exhibitions | |
| 2026 | 25 godina Nagrade “Dimitrije Bašičević Mangelos” (curators. I. B. Mangelos, M. Karić), Galerija FLU & Klub Akademija, Belgrade, RS |
| 2025 | Forest Encounters, Out of Sight, Antwerp, BE |
| 2024-25 | The Smell of Freshly Chopped Wood (curators: Z. Badovinac, J. Jakšić, A. Škegro), Museum of Contemporary Art Zagreb, HR |
| 2024 |
Wild Spots (Curators: M. Makovec, A. Lederer), |
| 2023 | Unearthing the collection (curators: Z. Đ. Minniti, J. Gligorijević, V. Bjeličić, S. Ilić), Gallery Podroom, Belgrade, RS |
| 2021 | 4th Art Encounters Biennial of contemporary art (curators: M. Mircan, K.Redzis), Timisoara, RO |
| 2021 | Abstract Landscape 2.0 (curator: A. Ereš), Cultural Center Belgrade, RS |
| 2021 | Visite festival, curat Eva van Tongeren, Het Bos, Antwerp, BE |
| 2021 | Out of Orbit, curated by Werktank, Leuven, BE |
| 2020 | Ride into the Sun _ 3rd Industrial Biennial, curators B. Benčić, G. Matt, C. Oxenius and K. Orelj,various locations in Istria region, HR |
| 2020 | Zomertank, curated by Werktank, Leuven, BE |
| 2020 | Where the Future Begins?, curator M. Dragosavljević, Art Pavilion Cvijeta Zuzorić, Belgrade, RS |
| 2019 | Parallel Crossings :: Artefact, curator P. P. Mortier, STUK, Leuven, BE |
| 2019 | To Build Again, curators: S. Jankov, B. Nikolic, Gallery of Contemporary Art, Pančevo, RS |
| 2019 | The Nineties: Glossary of Migrations, curators A. Panić, S. Ognjanović, Museum of Yugoslavia, Belgrade, RS |
| 2018 | Productive Work, curator A. Batista, frei raum _ Q21, Museums Quartier Vienna, AT |
| 2018 | 25FPS, Zagreb, HR |
| 2017 | Utopia-Dystopia, curator A. Trebušak, The City Gallery of Ljubljana, SI |
| 2017 | Ten Slotte 2, curator V. Stroep, Het Bos, Antwerp, BE |
| 2017 | Edge Effect, curator A. Stojanović, KC Grad, Belgrade, RS |
| 2017 | Courtisane Festival. Notes on cinema, Gent, BE |
| 2017 | The Munchhausen-effect. On Time in Times of Having no Time, curators A. Batista and K. Orelj, Galerie 5020, Salzburg, AT |
| 2017 | Nuts and Bolts, curator E. Carels, International Film Festival Rotterdam, NL |
| 2016-2017 | Next:Utopia, Curators H. Scragg and A.K. Thor, Norrköpings Konstmuseum, Norrköping, SE |
| 2016-2017 | History Unfolds, curator H. L. Pousette, Statens historiska museum, Stockholm, SE |
| 2016 | On Revolution’s Roads, curators: L. Lovrencic and M. Rakita, Moderna galerija, Ljubljana, SI |
| 2016 | Normalities, curators: M. Lulić and C. Moser, Austrian Cultural Forum New York, New York, US |
| 2016 | 15 Years of D. B. Mangelos Award, Gallery-Legacy of Čolaković / MoCAB, Belgrade, RS |
| 2015 | Fiery Greetings, curator A. Adamović, Lothringer13 Halle, Munich, DE |
| 2015 | Fiery Greetings, curator: Ana Adamović, Museum of Yugoslav History, Belgrade, RS |
| 2014 | Disappearing Things :: 55th October Salon Belgrade, curators N. Schafhausen and V. J. Muller, Belgrade City Museum, RS |
| 2014 | Belgrade Now, Kunstforum Montafon, AT |
| 2014 | Common Territories, curator M. Rigler, Le 116 / Centre d’art contemporain Montreuil, Paris, FR |
| 2013 | Measures of Saving the World_Part 4, curators A. Lederer and M. Makovec, Graz, AT |
| 2013 | KulturKontakt Residence Presents, ArtPoint Gallery, Vienna, AT |
| 2013 | Come and go, curator G. Gantenbein, Schweizer Botschaft, Vienna, AT |
| 2013 | {else = system missing}, curator K. Lindinger, Institut fur Soziologie, Vienna, AT |
| 2013 | A CITY SHAPED :: Artefact, curator P. Mortier, STUK, Leuven, BE |
| 2012 | Between Worlds, curatorial team BLOK, HDLU, Zagreb, HR |
| 2012 | Dockwill, Hamburg, DE |
| 2012 | Collection 1, curator A. E. Bjelica Mladenović, KCB, RS |
| 2012 | Between the real and reality, curator J. Veljković, Treci Beograd, Belgrade, RS |
| 2012 | What has happened with the Museum of Contemporary Art?, curators D. Sretenović, U. Popović, A. Dolinka, Museum of Contemporary Art Belgrade, Belgrade, RS |
| 2012 | Bound, curators S. Touboura, M. Lianou, N. Sachini, OpenShowStudio, Athens, GR |
| 2012 | Rearview Mirror, curator C. Eamon, Art Gallery of Alberta, Alberta, CA |
| 2011 | Rearview Mirror, curator C. Eamon, The Power Plant, Toronto, CA |
| 2011 | Home, curators A. Fonda and Z. Audiello, Verona, IT |
| 2011 | Conversations in Silence (curator S. Hopkins), Goethe Institut Nairobi, Kenya |
| 2011 | Donumenta, curator M. Karić, Regensburg, DE |
| 2011 | 255.804 m2, curators A. Gregorič, M. Podlesnik, Brot Kunsthalle, Vienna, AT |
| 2011 | The Power to Host, curator M. Ćirić, ISCP, New York, US |
| 2010 | ... night pleases us... - 51st October Salon, curators J. Poussette, C. Prado, Belgrade, RS |
| 2011 | Conversations in Silence, curator S. Hopkins, Goethe Institute Nairobi, Kenya |
| 2010 | Cooperation, not Corporation, curator M. Ćirić, International Test Site, Ritopek, RS |
| 2010 | Qui vive?, II Moscow International Biennale of Young Artist, Moskow, RU |
| 2009 | SEMIOTICS OF THE CITY, curator M. Gruden, DKSG, Belgrade, RS |
| 2009 | P.S. PICTURE – International mail art project, Muzeum Ziemi Klodzkiej, Klodzko, PL |
| 2009 | MODULES OF VISUAL NARRATIONS, curator Maida Gruden, CCS, Paris, FR |
| 2007 | Eintagsfliege van Floating series, Galerie inges, Berlin, DE |
| 2006 | RUNDGANG, Zeughof space, Weimar, DE |
| 2004 | SYSTEM, SKC Main Gallery, Belgrade, RS |
| 2004 | SEASIDE, Circus Gallery, Belgrade, RS |
| 2004 | PLATFORM, Lassi Gallery, Vienna, AT |
| 2004 | IDENTITY AND DIFFERENCES, SKC Main Gallery, Belgrade, RS |
| 2003 | Month of Photography – Foto Biennale in Bratislava, SK |
| 2003 | CIVILIANS IN UNIFORM, REX Gallery, Belgrade, RS |
| 2003 | CIVILIANS IN UNIFORM, Photo Biennale in Naarden, NL |
| 2003 | POSTCARDS FROM BELGRDE, Dupllex Gallery, Genève, CH |
| Selected Curatorial and Research Projects | |
| 2026-2029 / ongoing | ON MOBILISATION. TOWARDS MULTIVOCAL COLLABORATIVE FUTURES, (co-author); Partner organisations: Out of Sight (Antwerp), Baltic Arrt Center (Gotland), Divadlo X10 (Prague), Lavanderia a Vapore/leading partner (Torino), BLOK (Zagreb); Co-funded by the European Union |
| 2024-2026 | CLOSE ENCOUNTERS (co-curator), Produced by Out of Sight, Supported by: Flanders—State of the Art |
| 2024-25 | SIX SAMPLES OF DISASTER (co-curator, with I. Bekić), Art Pavilion Zagreb & Ethnographic Museum, Zagreb, HR |
| 2023-25 | FOREST ENCOUNTERS (co-author); Partner organisations: Igor Zabel Association / leading partner (Ljubljana), Technical University Graz, Out of Sight (Antwerp); Co-funded by the European Union |
| 2023-25 | ON MOBILISATION (co-author); Partner organisations: wpZimmer / leading partner (Antwerp), Baltic Arrt Center (Gotland), Studio ALTA (Prague), Lavanderia a Vapore (Torino); Co-funded by the European Union |
| 2023 | ZOMERTANK 2023: ALL THAT WE HAVE HERE IS ALL THAT WE'VE ALWAYS HAD (public art festival), co-curated with Wim Janssen, produced by Werktank and Out of Sight, Leuven, BE |
| 2021 | TEN SLOTTE 5 (co-curated with V. Stroep), Academy-De Tempel and DeCinema, Antwerp, BE > Artists: Loukia Alavanou, Pierre Bismuth, Diego Marcon, Ulrike Ottinger, Lala Raščić, Sina Seifee |
| 2021-2022 | Symptoms of the Future: ANCIENT WORLDS (co-curated with V. Stroep), Out of Sight, Antwerp, BE > Artists: Lala Raščić, Andrew Scott Ross |
| 2021 | Symptoms of the Future: IMAGE — CAMERA — IMAGE (curator), Out of Sight, Antwerp, BE > Artists: Esther Shalev-Gerz, Jasper Rigole |
| 2021 | Symptoms of the Future: EXHIBITION IN THE BOX (co-curator), Out of Sight, Antwerp, BE > Participants: Anamarija Batista, Irena Borić, Mirjana Dragosavljević, Maja Hodošček, Petra Mrša (HR), Tanja Šljivar, Nataša Šuković |
| 2021 | Symptoms of the Future: DETECTIVE AGENCY OF MONSTERS (curator), Out of Sight, Antwerp, BE > Artists: Gosie Vervloessem |
| 2021 | Symptoms of the Future: BRICKS-BASKETS-POTS (curator), Out of Sight, Antwerp, BE > Artists: Marjetica Potrč, Bie Michels |
| 2020 | TWO MEN STANDING. Part 3 (curator), Out of Sight, Antwerp, BE > Artists: Minna Henriksson, Johanna Kirsch, Ria Pacquée, Zoran Todorović, Gosie Vervloessem |
| 2019 | TEN SLOTTE 4 (co-curator), Het Bos, Antwerp, BE > Exhibition: Aleksandrija Ajduković, Johanna Billing, Jos de Gruyter & Harald Thys, Moataz Nasr, Ted Oonk, Koen Theys, Gernot Wieland, Anna Witt /// Screenings: Gabriel Abrantes & Daniel Schmidt (US) / Kathy Acker & Alan Sondheim (US) / Sebastian Buerkner (DE) / Želimir Žilnik (RS) / Colectivo Los Ingrávidos (MX) /// Talk: Greg de Cuir Jr. (US/RS) |
| 2019 | A WALK IN HIGH RESOLUTION (curator), Out of Sight, Antwerp, BE > Artist: David Bergé |
| 2019 | BETWEEN THERE AND THERE: The Third Place of Belonging (co-curator), Out of Sight, Antwerp, BE > Artists: Božena Končić Badurina & Duga Mavrinac, Tomislav Brajnović, Nicole Hewitt, Ana Hušman, Tonka Maleković |
| 2019 | TWO MEN STANDING. Part 2 (curator), Out of Sight, Antwerp, BE > Artists: Awoiska van der Molen, Anna Hofbauer, Ibro Hasanvic |
| 2018 | SONG (curator), Out of Sight, Antwerp, BE > Artists: Jelena Jureša, Krsto Papić |
| 2018 | TWO MEN STANDING. Part 1 (curator), Out of Sight, Antwerp, BE > Artists: Hannes Boeck, Goran Micevski, Kathleen Vinck |
| 2012 | POINT BLANK (curator), The Belgrade Cooperative building, Belgrade > Artists: Alex Baker, Alfredo Barsuglia, David Claerbout, Zorica Čolić, Siniša Ilić, Vanessa Mayoraz, N55, Aernoudt Jacobs, Michael Johansson, Wim Janssen, Irena Kelečević, Korinna Lindinger, Goran Micevski, Ivan Petrović, Mark Shepard, Boba Mirjana Stojadinović, Anna Szwajgier and Zorka Wollny, Gosie Vervloessem |
| 2011-2012 | MEMORY OF THE CITY – Policies and Practices of Memory Preservation and Integration in the City’s Development / exhibition, symposium, workshops with students / together with KulturKlammer and S. Radišić, Cultural Centre Belgrade, RS |
| 2011 | FOR KIDS AND ADULTS (co-curator), Awangarda gallery BWA Wroclaw (PL), Salon of the Museum of Contemporary Art Belgrade > Artists: Nikos Arvanitis, Hubert Czerepok, Marko Crnobrnja, Aleksandar Dimitrijević, Marija Đorđević, Petra Feriancova, Karolina Freino, Nenad Jeremić, Dušan Jevtić, Alicja Jodko (DWF / Entropia), Vladimir Perić, Vedran Perkov, Joanna Rajkowska, Milorad Stajčić, Katarina Šeda, Janek Simon, Kama Sokolnicka, Predrag Terzić, Miloš Tomić, Vova Vorotniov, Zorka Wollny, Martin Zet |
| 2010 | I AM WHAT I AM – 25th Memorial Nadežda Petrović (co-curator), Gallery Nadežda Petrović, Gallery Risim, Gymnasium, Historical Archive, Various public spaces in Čačak > Artists: Riccardo Benassi, Zorica Čolić, Tina Gverović and Siniša Ilić, Ana Krstić, Medijska arheologija, Goran Micevski, Mladen Miljanović, Awoiska van der Molen, Ivan Petrović, Proto Office, Vahida Ramujkić and Heath Bunting, Naomi T. Salmon, Dubravka Sekulić, Slavs and Tatars, Boba Mirjana Stojadinović, Jan de Wulf |
| 2009 | BELGRADE:NONPLACES (co-curator), Salon of the Museum of Contemporary Art Belgrade, Various locations in the city of Belgrade > Artists: diSTRUKTURA, Wojciech Gilewicz, Irena Kelečević, Verica Kovačevska, Vanessa Mayoraz, Milorad Mladenović, Erin Obradovic and Marija Đorđević, Milena Putnik, Maja Radanović, Boba Mirjana Stojadinović, Marija Šujica, Predrag Terzić, Reijiro Wada |
| Residencies | |
| 2024 | MORPHO, Antwerp, BE |
| 2018 | Q21 Artist-in-Residence programme - MuseumsQuartier, Vienna, AT |
| 2015 | IASPIS residentie, Stockholm, SE |
| 2013 | KulturKontakt Residence, Vienna, AT |
| 2012 | Springcamp, TimeLab, Gent, BE |
| 2011 | Art Residency at Tobačna 001, The Museums and Galleries of the city of Ljubljana, SI |
| 2010 | ISCP, New York, US |
| 2005 | Framemakers, Limeric, IR |
| 2001 | What’s so Funny?, Tabor, CZ |
| 2001 | CarbonArt’2001, Chisinau, MD |
| Publications | |
| 2025 | Forest Encounters, published by Igor Zabel Association, Ljubljana, SI and Archive Books, Berlin, DE (author of the chapter: It Rains Differently) |
| 2025 | On Mobilisation, published by Studio ALTA, Prague, CZ (co-editor and contributor) |
| 2025 | Mobilising Words, published by Baltic Art Center, Visby, SE (contributor) |
| 2021 | Elective Affinities #6, Dušica Dražić, Jasper Rigole, published by OUT OF SIGHT (co-author) |
| 2021 | Middle East Report, Goran Micevski, published by OUT OF SIGHT (co-editor) |
| 2021 | Symptoms of the Futures, published by Onomatopee/NL, Out of Sight/BE, Stereovizija/RS (co-editor) |
| 2019 | Aphasia, Jelena Jureša, published by ARGOS, KASK and MER (co-editor, designer) |
| 2019 | A Walk in High Resolution, David Bergé, published by JAP SAM Books (co-editor) |
| 2018 | THE BLIND HORSE. Dialogues with Eugenio Barba and Other Writings, Iben Nagel Rasmussen (designer) |
| 2018 | It is not red, it is blood. Not blood, red, Jelena Jureša (designer) |
| 2013 | Gap, published by BLOK, Zagreb (author, designer) |
| 2012 | Memory of the City – Policies and Practices of Memory Preservation and Integration in the City’s Development (co-editor, designer) |
| 2011 | Biella - Fashion Journal, published by UniCredit Studio, Italy (co-editor, designer) |
| 2011 | Vienna - Fashion Journal, published by KulturKontakt, Vienna (co-editor, designer) |
| 2009 | Semiotics of the City, published by DKSG, Belgrade (editor, designer) |
| 2009 | Serbia - Fashion Journal, published by DKSG, Belgrade (co-editor, designer) |
| 2006 | Surrealism of Simplicity, Dušica Dražić, published by Bauhaus University Weimar (author) |
| Awards, Fellowships, Subsidies | |
| 2023-25 | Forest Encounters, co-funded by the European Union (for Out of Sight) |
| 2023-25 | On Mobilisation, co-funded by the European Union. (for wpZimmer) |
| 2020–21 | European Cultural Foundation (for Out of Sight) |
| 2020, 2021 | The City of Antwerp / Project subsidy (for Out of Sight & for wpZimmer) |
| 2020 | Finnish Cultural Institute for Benelux / Project subsidy (for Out of Sight) |
| 2020 | dasKULTURforum Antwerp / Project subsidy (for Out of Sight) |
| 2018, 2021 | Flanders State of the Art (artist) |
| 2016, 2018, 2019, 2020 | Austrian Cultural Forum Brussels (artist & for Out of Sight) |
| 2016–17 | Vlaams Audiovisueel Fonds / VAF (artist) |
| 2016–17 | Film Centre of Serbia (artist) |
| 2010 | Young European Artist Trieste Contemporanea Award (Winner), IT (artist) |
| 2010 | Dimitrije Bašičević Mangelos Award Winner (Winner), RS (artist) |
| 2005–06 | DAAD (Deutscher Akademischer Austausch Dienst), Germany (artist) |
| 1999 | Center for Youth Creativity, Belgrade, RS (artist) |
| Education | |
| 2006 | MFA degree at the program “Public Art & New Artistic Strategies” at the Bauhaus University Weimar, DE |
| 2004 | MA degree at the Faculty of Applied Arts, Applied Graphics Major, Department for Photography, Belgrade, RS |
___________________________________________________________________
Dušica Dražić (1979, Belgrade, SFR Yugoslavia) is an artist, independent curator, and co-founder and co-director of Out of Sight in Antwerp (2018–).
In her artistic and curatorial practice, she researches the interrelations between places and their users, rethinks them at the level of cultural continuity, symbolic irregularities, and individual agency. Her work focuses on methods of knowledge production concerning social, political and aesthetic changes of (public) space, while examining the conditions needed for people to mobilise, enter collective authorship and imagine shared futures.
Dražić has participated in numerous solo and group exhibitions and screenings, and has initiated and (co-)curated collaborative projects and exhibitions. Currently she is a researcher at the Royal Academy of Fine Arts Antwerp (2025–2027).
From 2020-2025 she was an artistic collaborator and creative producer at wpZimmer in Antwerp, an international workspace for the arts, with a focus on performance and artistic research.
She was co-author and project coordinator of On Mobilisation. Micro- and Transnational Community Mobilisation through Artistic Practice for wpZimmer from 2023–2025. She was an artist, researcher and project manager for Forest Encounters from 2023–2025, and is a co-author, researcher and project manager for On Mobilisation. Towards Multivocal Collaborative Futures for Out of Sight from 2026–2029. All three projects have been co-funded by the European Union (Creative Europe programme).
Recent transnational collaborative artistic and (co-)curatorial research projects include Close Encounters (2024–2026), Six Samples of Disaster (2024-2025), It Rains Differently — We Plant Forest, Forest Is Planting Us! (2021–2026), All That We Have Here Is All That We’ve Always Had (2023), and Symptoms of the Future (2020–2022), a.o.
Dušica is currently the Board Member of Messidor and Storm op komst. Throughout her professional career, she has served on numerous juries (including open calls for projects and residencies, as well as film festival juries) and has given many artist talks. Her work has been published in numerous publications, and she has co-edited artist books and other publications.